My guest is Adron Buske, host and co-producer of the Nerd for a Living podcast, and co-founder and creative director at Armadian Creative.
We had a riveting conversation about his equipment and workflow, which he was nice enough to outline for us here:
GEAR
- Mixer – Alesis Multi-Mix 8 – USB
- Pyle 4 channel headphone amplifier
- Backup – M-Audio MobilePre Amp (2 channel)
- Mics
- MXL 990 – main interview mic (large diaphragm condenser)
- AudioTechnica AT875R condenser mic – narration mic
- Sterling S50 condenser mic – secondary interview mic
- MXL 2006 condenser mic – new interview mic in testing
- Sennheiser boom mic – location recording with Rycote Softie windscreen
- Zoom H4n recorder – on location recording
- Monoprice Acoustic Isolation Shield – narration station
- Boom Arms – NEEWER Microphone Suspension Boom Scissor Arm Stand
- Pop Guards – Sterling Audio mesh filters, plus a cheap on-mic windscreen
COMPUTER & SOFTWARE
- iMac – 27-inch, Late 2012 – 3.4 GHz Intel Core i7 – 32 GB ram
- Adobe Audition (Creative Cloud)
- Tagr / ID3 Editor
PROCESS
- Record interview via Skype with ECAMM Recorder plug-in
- Make sure to get 15 seconds of room-tone before we start
- Use ECAMM Movie Tools to split track and process into WAV
- Modular editing process
- Capture Noise Print from raw WAV file, and run Noise Reduction Process
- Have to be careful with this, because it can cause some tinny, odd sounds if over-processed
- Edit the episode, and export a “RAW INTERVIEW” without additional processing
- Import the raw edit, and re-export to WAV with processing:
- Hard limiter
- Multiband compressor
- DeHummer (if necessary after noise printer or to alter sound)
- Automatic click remover
- DeEsser (rarely necessary)
- Record my intro/outro narration directly into Audition, using my “narration station” (AudioTechnica mic and isolation shield)
- Edit narration and export to WAV with processing:
- Noise Print Capture / Reduction Process
- Hard limiter
- Multiband compressor
- DeHummer (if necessary after noise printer or to alter sound)
- Import Interview and Narration WAVs into MASTER EDIT template
- In Master Edit:
- Piece together narration over music beds
- Insert sponsor messages
- Layer in “Theme Song”
- Insert interview edit
- Add Outro and music beds
- Adjust audio levels
- Usually 6 tracks, plus Master track
- Occasionally use an FFT Filter to adjust tone on interview – frequency adjustment
- Export Master to:
- MP3 – 96K – CBR – MONO
- OGG – VBR Quality 40%
- Edit MP3 with ID3 Editor or Tagr to add info and graphic
Thanks for sharing so much with us, Adron!
4 Responses
I’ve totally turned off the fridge for recording quality. 🙂
Regarding ECAMM, make sure that the remote guest isn’t output to the main mix via USB.
Looking back at this 6 months later, and I have a few changes to note:
– After 5 years of use, my Alesis Multi-Mix 8 shorted out. I replaced it with a Samson MixPad MXP124FX. It’s a nice little mixer, though it has some quirks I don’t love. One of which is a bit of line noise that I can sometimes hear but doesn’t show up in the recording, UNLESS I’m making a phone call over Skype. In which case it destroys the audio from my side. (Thankfully Skype-to-phone is rare for us.)
– Replaced the Pyle 4 channel headphone amplifier with a Samson QH4. The Pyle was super bare-bones, and had to be unplugged when not in use, and sometimes allowed line interference. The QH4 is a much higher quality headphone amp, and is also configured in a way that makes much more sense (jacks on the front, instead of the back like the Pyle).
– In my “process”, I’ve basically swapped around #6 and #7. Meaning that I do all the processing and clean-up on the wav files BEFORE I edit them. (Should have been doing that all along.) I also work in a mix-minus setup now, so I have the host and guest tracks separate, allowing for greater control over quality of sound.
Thanks again for having me, Chris. (And apologies for how strangely serious I sound on here!)
Wow thanks for the update, Adron! I always like hearing about the (never-ending, hehe) evolution of people’s equipment and workflow.