Author: Chris Curran

The most popular audio interface in the world just got even better.

The 4th generation of the Focusrite Scarlett series has lots of impressive improvements:

• Remote-controlled 4th generation preamps
• 192kHz, 24-bit converters
• Auto-gain to set good levels
• Clip Safe to automatically avoid clipping
• Air mode: Presence and Harmonic Drive
• 120dB dynamic range
• Custom-designed headphone amp
• Loopback to record other audio sources
• Focusrite Control 2 software for PC and Mac
• Easy Start setup wizard

Pricing:

• Solo — $139.99
• 2i2 — $199.99
• 4i4 — $279.99

If you’re using one of these 4th Gen. interfaces please let me know how you like it!

Comment below.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

The new Shure SM7dB microphone adds a built-in preamp to the legendary SM7b microphone!

From Shure’s website:

An audio icon is reborn – the Shure SM7dB has the sound you’ve loved for years, but with the convenience of a built-in preamp providing all the extra gain you’ll ever need. The latest iteration of this legendary XLR dynamic microphone makes it easier for podcasters, streamers and musicians to get perfect vocals from any recording setup.

Built-in Preamp. Built on Legacy.

The SM7dB is a dynamic vocal microphone with built-in preamp providing up to +28 dB of low-noise, flat, transparent gain ideal for almost any interface and simplified audio chains.

• Selectable preamp boost of either +18dB or +28dB of extra gain
• Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
• Preamp bypass switch deactivates the preamp to revert to original SM7B performance
• Bass roll-off and mid-range emphasis (presence boost) EQ controls
• Superior rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
• Internal “air suspension” shock isolation virtually eliminates mechanical noise transmission
• Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
• Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
• Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
• Rugged construction and excellent cartridge protection for outstanding reliability

In the box: 

• 1 SM7dB
• 1 Close-Talk Windscreen
• 1 3/8” Thread Adapter

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

From audio-technica:

Windscreens and pop filters are used in conjunction with microphones to assist in reducing excessive pressures on a microphone’s element. These pressures may come in the form of wind current, breath blasts and vocal plosives. Both windscreens and pop filters are common tools of the trade used in both live and studio applications. Similar in their performance, windscreens and pop filters can often be used interchangeably to accomplish the same task.

Windscreens (shown on the left in the above image) are usually made from a foam material and are designed to fit snugly over the microphone element casing. Many microphones incorporate an internal windscreen in the grill to protect the microphone element, but even these types of microphones can benefit from additional sound pressure protection in certain situations, so don’t be afraid to outfit them with another windscreen. One thing to note, a mic windscreen often will dampen higher frequencies more than a pop filter will.

Pop filters (shown on the right in the above image) usually consist of acoustically transparent foam and/or mesh and work by being placed in front of the microphone element. They are commonly used for recording vocals in a studio setting. The pop filter was originally implemented by using a hanger or embroidery ring to place stretched leg stockings between the audio source (vocalist) and the microphone element. This allowed for maximum sonic transparency while effectively reducing excessive plosives such as “p’s” and “b’s.” Pop filters are often used with higher end vocal condenser microphones.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

5 steps to a happy, healthy and wealthy life producing podcasts from home:

1. Learn and develop world-class skills for producing podcasts
2. Start working from home producing podcasts for clients
3. Earn lots of money (due to your world-class skills)
4. Set your own hours
5. Develop a solid career that you can stay in for the rest of your life, if you want

Your journey can start on September 12, 2023 at Podcast Engineering School.

If you want to connect with me and chat about the details let me know! Contact me here.

I believe in you 5 million percent (give or take LOL) ~Chris

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

It’s extremely useful to have a goal (or multiple goals) for your podcast, even if the goal is simply to have fun! Or maybe you want to grow your audience and earn more money. Or make industry connections and get your message in front of new audiences.

Comment below and tell us what your goals are, and how we can help you achieve them sooner rather than later or never 🙂

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

I just watched this brand new video demonstrating how SplitEQ can clean up and enhance podcast audio. (I own this plugin and I really like it.)

SplitEQ (an 8-Band Parametric EQ) from Eventide is a great-sounding EQ but it’s unique superpower is that it also allows you to separately adjust transient information and tonal information.

The SplitEQ analyzes incoming audio and separates it into two separate streams: Transient (noise, pops, mic plosives, vocal sibilance, attacks), and Tonal (sustained notes, harmonics, tone, ambiance).

For podcast recordings of individual voices, enhancing some transients can add clarity and intelligibility, and reducing some tonal information can remove room tone and muddiness.

Features:

• World-class 8-band parametric EQ with pristine musical filters
• EQ Transient and Tonal parts of a sound separately using Eventide’s patented Structural Split™ technology
• Control Transient and Tonal Output levels
• Enhance the stereo-field with continuous Transient and Tonal panning controls (L/R and Mid/Side modes)
• Control the underlying Split technology for fine tuning and experimentation
• Globally scale the EQ curves together or independently
• Peak, Notch, Bandpass, High Shelf, Low Shelf, Tilt Shelf, High Pass, and Low Pass filter types with slopes from 6 to 96 dB/octave
• Innovative real-time spectrum analyzer displays the Transient and Tonal streams independently
• Comprehensive Presets Library includes 150+ presets
• A/B buttons allow quick auditioning of two presets or settings plus Undo/ Redo functionality
• Resizable GUI with zoom options
• Three Color Schemes: Original, Dark and Colorblind Accessible

Eventide offers you a 30-day demo to try it before buying it 😉

*I DON’T MAKE ANY MONEY FROM THIS AND I’M NOT BEING PAID BY EVENTIDE.

Have you tried SplitEQ yet? Comment below.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

This integration is very good for livestreamers…

From this MIX article:

Waves Audio plug-ins now officially run in OBS Studio, allowing users to apply them to video streams for Twitch, YouTube and more.

To run Waves Audio plug-ins in OBS Studio, users install the free Waves StudioRack plug-in chainer from Waves Central, insert Waves StudioRack on any audio source from the filters menu in the software, and continue loading Waves plug-ins inside StudioRack.

With Waves’ StudioRack now compatible with OBS Studio, users can apply Waves StudioRack’s audio processing capabilities to the sound quality of their recorded videos, podcasts, and live-streamed content.

With the new compatibility, users can clean unwanted background noise with AI-powered noise reduction; make voices sound more rich and present; improve the sound of zoom calls and phone microphones; ensure output levels are appropriate; change voice pitch, add effects, and vocoders; and add zero-latency real-time pitch correction for vocals in musical performances in live streams.

Waves Audio also now provides numerous AI-optimized StudioRack plug-in chains, which are intended to elevate the quality of streaming; to find them within the software, users should keep an eye out for Waves’ StudioVerse custom “OBS” tagged chains.

Are you going to try this?!?! Comment below.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

Podcast Movement, the world’s largest podcasting conference, is happening this summer in Denver, Colorado from August 21-24, 2023 at the Gaylord Rockies Resort.

There will be loads of top-notch presentations, training, networking, expo hall vendors, parties and fun!

Someone you know might be speaking there 😉

Yes, it will cost a boat load of money to attend but it’s ALWAYS worth it!

Are you planning on attending? Let’s meet up! Comment below.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

I recently experienced a tour of Descript by Margaret Ereneta and during it she was wearing these headphones with attached microphone: ATH-M50xSTS StreamSet™.

For around $199 they are a great headphone/microphone combo created especially for livestreamers. They come in XLR or USB.

Margaret actually mails the USB version to guests to wear during their remote interviews with her. All they have to do is plug it into their computer and adjust the microphone so it’s closer to their mouth.

To my ears, the microphone itself sounded very good.

Have you tried these yet? Comment below.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”