Category: Daily Goody

Check out these two controllers which can help speed up editing and production in general.

Loupedeck CT and Loupedeck+

I haven’t tried either of them yet, but they look cool.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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The decibel (dB) is commonly used in acoustics as a unit of sound pressure level. Basically, decibel levels describe how loud something is. (Here’s more technical info)

Here are the decibel levels of sounds you’re familiar with:

• Normal conversation with someone 1 meter away: 40-60 dB
• Passenger car from 10 meters away: 60-80 dB
• Traffic on a busy roadway from 10 meters away: 80-90 dB
• Jack hammer from 1 meter away: 100 dB
• Two-stroke chainsaw from 1 meter away: 110 dB
• Threshold of pain: 130-140 dB
• Stun grenade: 158–172 dB
• .30-06 rifle being fired from 1 meter to shooter’s side: 171 dB

NOTE: There are many free apps you can install on your phone to measure the sound pressure levels wherever you are 😉

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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In what year was the first digital audio recorder developed?

A. 1967
B. 1971
C. 1975
D. 1978
E. 1982

Guess first, …………….and then see the answer here.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Zencastr has a new Video Beta Platform with a select group of quality podcasters.

In the Video Beta, they are including a whole new set of features designed to create a better and more thoughtful experience for you, your guests and your audience. The video platform includes a modern redesign with more intuitive function.

So what’s new?

• HD Video: Record double-ended 720P HD Vidcasts
• Automatic Post Production: Automatically mix and render videos up to 2K with Hi-Fi audio
• Green Room: Allow guests to join your show smoothly from this staging prep area
• New Video Mixes: Easily publishable to YouTube, Vimeo or the Vidcast platform of your choosing
• Faster Streaming Uploads: Reduce long waits at the end of the podcast
• New Local Backups: Save directly to your hard drive so you never lose content

Join the waitlist here.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Don’t blindly emulate everything that popular podcasts do.

Because whatever they are doing may NOT be the best for you in your situation.

Give careful consideration before changing your equipment, workflow, on-air content, marketing strategy, etc.

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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How to set your per-episode pricing for your podcast production/editing services to ensure that you reach your annual income goal? In short, decide how much money you’d like to earn per year doing podcast production/editing, and then work the math backwards to determine how much you have to charge per episode. Then, secure enough clients at that rate.

Here’s the detailed method:

1. Decide how much money (gross revenue) you’d like to earn per year from your production services. Then divide by 12 to determine your monthly gross income goal.
2. Decide how many total hours per week you’re committed working on podcast production. Then multiply by four to determine how many hours per month you’re committed to working.
3. Figure out the average amount of hours it takes you to produce one average episode (average length, average number of participants, average mixing time, average attention to editing detail, average time for ancillary tasks like tagging, posting, etc. — this will require research and testing, and/or reviewing how long previous episodes have taken you to produce).
4. Figure out how many podcasts episodes you’re able to produce each month by dividing the total hours per month you’re able to work by the amount of time it takes you to produce one average episode.
5. Figure out how many episodes you’re able to produce per month by dividing your total available monthly working hours by the amount of time it takes you to produce one average episode.
6. Figure out how much you need to charge clients per one average episode by dividing your monthly gross income goal by the number of episodes you’re able to produce per month.
7. Then, secure enough clients at that per-episode rate.

And now you know what to charge clients to ENSURE that you realize your yearly income goal! (as long as you secure enough clients at that rate)

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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How much blank space do you leave at the beginning of podcast episodes?

I leave somewhere between 0.9 and 1.0 seconds, because some audio players will quickly fade in the audio instead of just playing it at full volume from the very beginning, and I don’t want the first word or sound to be faded in.

#DontMessWithMyAudioBro

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Sometimes a podcast participant’s breaths (or breathing sound in general) will be so loud and prominent that you want to reduce them, especially when using a good amount of compression.

So, how to reduce/suppress those breath sounds?

Well, you could reduce the volume of every single breath MANUALLY! Ugh. Or you could use a de-breath plugin.

Here are two de-breath plugins that are good:

• iZotope RX Breath Control
• Waves DeBreath

In my experience you have to be very careful when dialing in the proper settings for your use case because if the settings aren’t correct it will miss some breaths or reduce other sounds in addition to breaths.

Do you know of any others?

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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The FabFilter Saturn 2 plugin was recently released.

It’s an updated and improved version of Saturn, which I’ve used for years for saturation and more.

Here’s Fabfilter’s description of Saturn 2:

Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.

Have you tried Saturn before? Or do you want to try Saturn 2?

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Recently I recorded a guest who was using earbuds that were feeding back within themselves, as lots of cheap earbuds do. When I asked her to turn her monitoring volume down a bit, she informed me that she was hearing impaired and needed to have her earbuds cranked up all the way in order to hear everything properly.

Solution?

I turned on the echo-cancellation on within Squadcast.

*Important: I made sure to instruct the person interviewing her to NOT chime in with things like “Uh-Huh” and “OK” and “Ahhh” while the guest was speaking because that will basically ruin part of the guests track due to echo-cancellation “ducking” phenomena.

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Even after enabling the “turn on original sound” setting in Zoom, which is the highest audio quality Zoom can deliver, the quality of the VoIP signal audio (and all Zoom recordings) is frustratingly poor.

Recently a couple guests had to join my client’s show via Zoom (because they couldn’t connect any better way) and their sound was so dull, unclear and inarticulate that it required lots of mixing effort on my part to make them sound decent and presentable.

I know that especially due to COVID that lots of folks are learning and using Zoom, but my goodness the audio quality of Zoom is quite bad.

I feel like literally any other method of connecting and recording would sound better (except maybe Skype).

I totally understand that the ease of use of Zoom is why users like it a lot, but of course this comes at a severe cost of audio quality, which it seems most people are willing to accept.

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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The Oxford Inflator V3 from Sonnox is one of those plugins that you have to try to understand what it does; it’s not simply a straight ahead EQ or compressor.

I am liking this plugin A LOT, and I’m now using it in every episode I produce.

Here’s its description from the Sonnox webpage:

A unique and powerful Plug-In to increase loudness, without sacrificing sonic quality or dynamic range. Add power and presence to your mix without the pumping of compression, or use on individual channels to bring them forward and add weight. Perfect to help vocals cut through the mix.

When driven harder, Inflator delivers tube-like musical warmth and provides the ‘sonic glue’ you need to gel your mix together!

“Inflator is a rare Plug-In…I can’t live without it. It simply makes everything sound better…”

“Just the right amount of Inflator will breathe life into anything you run through it!

FEATURES

• • • • • • Louder mixes without the issues associated with compressors
          • Add apparent dynamic range to previously clipped signals
          • Simple user interface
          • Flexible Direct and Band-split modes
          • A long-time secret weapon of audio professionals

Have you tried this plugin yet?

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Sometimes a guests’ non-participating colleague will want to join a recording session to “listen in“ for the purpose of compliance, or to take notes, or just simply to be there. I’m sure there are other reasons as well.

In these cases, during soundcheck I always verify that the persons internet connection is super-solid, and if it’s not, I ask them if it’s absolutely necessary for them to be in the actual recording session. If they say no, I usually recommend them NOT being part of the recording session because in my experience sometimes one participants bad connection (including disconnecting and re-joining the session, etc.) can cause problems with the entire session.

Usually the person will understand and leave the session, but some seem a bit frustrated that they have to leave. Oh well.

NOTE: I do this when using all recording platforms including Squadcast, Zencastr, etc.

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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RØDE now offers some helpful accessories for their RØDECaster Pro recorder/interface/mixer.

Check them out here.

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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I bought four Sennheiser e835 microphones for my physical podcast studio in NJ, which I operated from 2012-2015. They cost around $99 each.

I decided on the e835 over other microphones mostly because I tested 4-5 handheld microphones at a local Guitar Center. I brought my portable digital recorder to the store and proceeded to plug in different microphones and talk for a bit, then listen back to decide which model I would buy.

I chose the e835 over the SM58 and a couple other handheld microphones.

To me it sounds a bit clearer than the SM58 and also has a higher output level. Overall it’s comparable to the SM58 but has it’s own flavor.

Have you used this mic personally?

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Two part question:

Is a voice echo and reverb the same thing or similar? Does Dialogue De-reverb in Izotope RX remove echo from audio?

My answer:

Echo is when you stand near a cliff and yell, “Echo!” and then 2 seconds later you hear your reflected audio say, “Echo!” (btw, to recreate this effect you would use a “delay” effect)

Reverb is when you’re in a room with reflective surfaces and the mic picks up the multitude of reflections, making the recorded audio sound like it’s far away, in a large space, or sound like the person speaking is 40 feet down a hallway.

I assume you’re referring to reverb?

Yes, the de-reverb in RX reduces the reverb.

Getting rid of echo is an entirely different task, and pretty much impossible.

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Most audio software have MANY MANY features and capabilities that you will never use for podcast production. (Especially DAW’s)

But probably SOME of those features could save you time and improve the quality of your production.

So, it’s a good idea, if you haven’t done it yet, to watch several tutorials and training videos focused on your particular software. Or even take a small course that’s focused solely on a particular application.

I still do this kind of research and training from time to time and it inspires me to keep upping my game.

How often do you do this?

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Enjoy watching 5 experienced podcasters give a guided tour of their post-production software and processes!

Featuring Bryan Entzminger, Jason DeFillippo, Brad Hargis, Steve Stewart, and Marcus dePaula — Thank you all for sharing so much!

Watch now:

Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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Some podcast hosts and guests have these kinds of speech patterns: Long Pauses for Thinking, Hesitations or Awkward Cadence.

The question is — how to best edit that kind of audio?

A few thoughts: Tighten them up as much as you can WITHOUT ruining the naturalness of their delivery. It’s a balance between keeping the naturalness while speeding up the pacing a bit —versus— cutting it too tight and making it unnatural/weird. Long pauses have to be considered on a case by case basis. Sometimes you really want the long pause to emphasize that they are thinking, however even in those cases you can usually remove some of the original pause to speed things up while still leaving enough to give the impression that they are thinking.

How do _you_ handle these issues?

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And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”

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