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Category: Daily Goody
The Daily Goody is daily tip, fact, or lesson on podcast production. You can receive it daily or a weekly roundup with our dedicated newsletter.
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Handling Podcast Clients That Send You Their Audio Last Minute and Expect You to Drop Everything to Produce It Immediately
Before considering this question you should first have a solid contract with each client that addresses the minimum amount of time your client must expect between when they send you their raw audio and when you will complete the production of that episode. Personally I specify 5 business days, and other producers specify a different timeframe I’m sure. (What’s your timeframe? Comment below)
Then, if your client requests or demands to have an episode produced in less time than they agreed to for any reason, you have the choice to either:
- Satisfy their demand at your inconvenience.
- Tell them they will have to wait and unfortunately miss their “deadline”.
- Charge them an additional fee to expedite the production. (Note: This fee should also be clearly spelled out in the contract.)
Are there any other options you can think of? Comment below.
And if a particular client continually takes advantage of you by disobeying the contract they agreed to, consider firing them.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Using a Spectrogram to Precisely Identify Sibilance Frequencies
A spectrogram is a visual display of how loud audio events are at different frequencies. This means you can use your eyes (in addition to your ears) to help identify various audio phenomena including sibilance, plosives, etc.
Not all applications have a spectral display but iZotope RX and Adobe Audition do, among other smaller lesser-known apps.
To help you dial in the settings of a de-esser, you can first look at the spectral display of a recording and see the precise frequency range where the sibilance is. Then set your de-esser accordingly.
Have you ever used a spectrogram display like this? Comment below.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Updating Your Audio/Video Apps and Plugins
I just updated iZotope RX 10, Audio Hijack, and various plugins including True Iron, BB N105, Aquamarine 4, Trackspacer, and a few others.
I sometimes forget to check for updates for weeks/months but every so often I go through all my plugins and look for updates and update them.
How do you handle app and plugin updates? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Podcastpage.io – Website Building Platform Dedicated for Podcasters
I recently spoke with the creator of Podcastpage.io and it seems to be an excellent way for podcasters to easily have and maintain a robust website for their podcast.
I don’t use their service yet but if/when I start a new podcast I’m going to carefully consider Podcastpage.io. A Podcastpage.io website is definitely easier to manage than a WordPress site, and it’s definitely more feature rich than the websites offered by the biggest podcast media hosting companies like Libsyn and Blubrry.
More info from their website:
Podcastpage.io is a website building platform that is dedicated for podcasters. You can create a full website for your show, include custom pages, blog posts, and easily connect your podcast to import all existing (and future) episodes as well. It comes with built-in podcasting features right out of the box, so itâll make your life easier when creating a website for your show. You can easily add an audio player, add your podcast subscribe/follow buttons, import transcripts, and make it easier and more fun to listen to your episodes and share the website.
Podcastpage comes with a drag & drop page builder, so creating your pages and layouts (without compromising on design) is as easy as it gets. There are several podcast website templates you can choose from, and an easy site-wide customizer for your global styles. It comes with built-in SEO, and you wonât have to deal with plugins, maintenance, updates or any other headache. Itâs a full âNo Codeâ platform so you donât have to be an expert or a web designer to get started and launch your website.
There are many included integrations you can use to take your site to the next level, for example connect your YouTube channels or playlist and import new videos continuously. Add your latest Instagram posts to the website, or connect your Twitter account to auto-tweet new episodes as those are released.
Do you use Podcastpage.io? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Adobe Podcast Speech Enhancement (FREE)
I briefly tried out the new and free Adobe Podcast Speech Enhancement algorithm. It’s a web page where you can upload your audio, the algorithm will process it, and then you can download the processed audio.
The algorithm removes background noise, room reverb, plosives and microphone handling noise, among other things. It also makes voices sound closer (proximity) if they were originally recorded further away from a microphone.
My first test, which was a bit unfair, I uploaded an obscenely and disgustingly bad piece of audio which the algorithm cleaned up considerably, but the resulting audio sounded pretty bad and kind of destroyed (which is also normal with all other de-noise plugins when trying to fix incredibly bad audio).
Then I watched several YouTube videos of other people testing the speech enhancement, including this one which was helpful.
My Simple Initial Conclusions:
When removing a small or moderate amount of noise and reverb, etc., the algorithm works well; it can definitely save mildly-bad recordings.
When removing a large or extreme amount of noise and reverb, etc., the algorithm simply can’t make it sound good — actually, no current algorithm can. That’s just too difficult of a job for these algorithms.
In the YouTube video I watched, the host processed his normal microphone sound which was already excellent quality, and the algorithm significantly worsened the quality of the audio. It removed lots of clarity.
A Bit of Audio Wisdom:
DO NOT rely on any plugins or processors to make your audio sound good. When recording podcasts capture high quality audio that is free from significant background noise, reverb, plosives, etc. An ounce of prevention is worth a pound of cure đ
Have you tried Adobe Podcast Speech Enhancement yet? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Libsyn Connect Beta (Remote Podcast Recording Portal)
Just announced from Libsyn:
Introducing easy, high-quality remote recording with Libsyn Connect Beta. With Connect, you won’t need third-party services like Zoom, Squadcast, Riverside or Zencastr for remote audio recording. Connect provides a way to invite your co-host or guest(s) and get high-quality audio recordings within your Libsyn workflow.
Libsyn Connect Beta is available with All Plans for a limited time through February 7th. Upgrade your Libsyn plan to a $20+ plan for continued access to Connect after February 7th, 2023.
Connect Beta Remote Recording Features:
- Schedule a call recording for later or start one now
- Invite guests with just a 1-click link (no accounts needed)
- See all calls â completed and scheduled
- Set start time & duration
- Share call notes
- Chat window for collaboration during a call
- Record separate tracks
- Get superior, high-quality audio (always)
- Download for post-production editing
- Access recordings from your Media Library
- Store your Connect recordings for FREE
- Compatible with popular browsers â Safari too!
Are you going to try Libsyn Connect Beta? I am, because I already use Libsyn. Comment below.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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New Auphonic AutoEQ Filtering (Beta)
Auphonic’s new AutoEQ automatically analyzes and optimizes the frequency spectrum of a voice recording, to remove sibilance (De-esser) and to create a clear, warm, and pleasant sound.
Listen to the audio examples and read more HERE.
Will you try this new feature soon? Comment below.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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The Time Flexibility of Independent Podcast Producers/Editors Who Work From Home
One of the big benefits of running your own podcast production business working from home for remote clients is that you can have significant time flexibility. Need to pick up your child from school? No problem. Need to quit early on Friday to leave for a fun weekend? No problem. Juggling life and family obligations is easier when you have flexibility with your work schedule.
I’ll address part-time as well as full time:
Part-time independent podcast producers who work from home usually have a full-time day job as well, so they have to produce podcasts on evenings and/or weekends. Typically their clients will send recorded episode audio to be produced within a certain number of days, and the producer can decide which day/time they want to actually produce that audio. Sometimes clients will ask for “rush jobs” because they recorded an episode last minute, but editors can easily train their clients not to rely on rush jobs.
Full-time independent podcast editors/producers who work from home usually work normal business hours but they also have the flexibility to take days off or half-days off depending on their workload, deadlines and client activity. Alternatively, some producers choose to work less than 40 hours per week so they can focus more of their attention on other projects or hobbies, etc. What a glorious lifestyle!
Add your thoughts in the comments below.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Kazrog True 252 (7-Band Graphic Equalizer)
The Kazrog True 252 equalizer plugin ($39.99) sounds SO good. It’s a 7-band graphic equalizer, and graphic EQ’s are the simplest kind of EQ’s to use. It can add warmth (low end) and clarity (high end) that sound extremely clean and pleasant.
How do graphic EQ’s work? Graphic equalizers have multiple bands with preset frequency centers which the user can boost or cut (see image of the True 252 above). The user simply boosts or cuts the gain of each preset frequency band to enhance the sound.
The frequency centers of the True 252 are 50 Hz, 130 Hz, 320 Hz, 800 Hz, 2000 Hz, 5000 Hz and 12500 Hz. Each band is specifically chosen to affect an important area of the frequency spectrum.
I’m in the honeymoon phase with this plugin so of course I want to add it to every track! HA
Have you ever used a graphic equalizer? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Can Spiders Chew Through Audio Cables? Also, Enrollment Is Open for PES! (Starts April 4th, 2023)
Wow, I’m getting desperate for things to write about HA! FYI, this is post #801 of my Daily Goody podcast production tips, tricks and info which you can sign up to receive HERE. Or you can simply browse all the posts HERE. 801!!!
Regarding spiders, no, they won’t chew through cables or bother your studio setup in any way, except for scaring you from time to time! But if you’re curious what spiders can actually bite through, check out this article.
Regarding APRIL 4 — that’s when the next cohort of Podcast Engineering School starts! You probably know 10 people who would love to develop an in-demand professional skill, work from home, earn really good money, and always be in-demand. Please tell them about Podcast Engineering School.
Also don’t miss all the videos I’m putting out on our PES YouTube channel.
What do you fear more than spiders? Anything? COMMENT BELOW!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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What Is an Independent Podcast Producer/Editor?
An independent podcast producer/editor is a person who works for themselves producing podcasts for clients. They can do this full time or part-time. Most run their business and do all their work from home, but some do on-site work as well.
Full time podcast producers, if they are trained professionals, can develop a wonderful career and excellent income ($100k+). They don’t have to answer to any bosses and can make their own schedules. Of course this type of career comes with lot of responsibility to work hard, put in the time, continue developing professionally, talking with potential clients, etc.
Part-time podcast producers/editors typically have a separate day job (which is their main, dependable income source) and they produce podcasts on evenings and/or weekends to earn extra money.
Producing full time is a very rewarding career! I’ve been doing it since 2012 đ
What are your thoughts? Comment below.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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The Reality of Processing Podcast Audio Using Your Eyes vs. Using Your Ears
First question you may have is: How do people process audio using only their eyes? Example 1: By only looking at an EQâs frequency curve analysis and making EQ adjustments based solely on that visual information, instead of listening to how the EQ is affecting the sound. Example 2: By only looking at a compressorâs gain reduction meter and making compressor adjustments based solely on that visual information, instead of listening to how the compressor is affecting the sound. There are many more examples.
The practice of ONLY using your eyes when producing audio is HIGHLY NOT recommended because what you see visually is a TERRIBLY incomplete representation of how the audio sounds.
Of course there are many helpful ways in which using visual information when producing audio can be extremely helpful, but visual information should never be the only information you use.
Tattoo this on your chest: Your ears should always be the final judge when producing audio. Period.
Furthermore, using only your eyes to EQ audio is not always perfectly reliable because, regardless of the raw recordingâs frequency curve, each individual human voice has a unique timbre (tone color) and each different microphone has a unique timbre. This means you will NOT want every recordingâs EQ curve to be identical. For instance, some microphones sound better with accentuated lower frequencies BECAUSE the microphone itself does an exceptional job of representing the clarity and articulation of the mid/higher frequencies, so âseeingâ accentuated low end with your eyes doesnât always mean you should reduce the level of those low frequencies.
Does any of this make sense to you? LOL
Let me know what you think in the comments đ
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Be Aware: Why People Turn Off Your Podcast Due to Audio Issues
Why exactly do listeners get frustrated with bad sounding audio and angrily turn off the offending podcast? Because it makes listeners do work instead of simply enjoying the content!
Here are the audio issues that annoy listeners the most:
- One or more participants sound very distant and difficult to understand. This happens because their microphone is not close enough to their mouth and/or their recording space is ultra-reverberant.
- One or more participants is making annoying extraneous sounds like banging on their desk, clicking a pen, tapping their foot, moving their microphone around unnecessarily, rearranging their desk mid-interview, etc.
- One or more participants is drifting on- and off-mic, which means at times they are loud as hell (very close to their mic) and other times they are dreadfully quiet (very far from their mic). These folks need to learn good mic technique, or use significant compression in post-production.
- Some participants audio is mixed way louder or way softer than others. This causes the listener to “ride their volume knob”, which means constantly alternating between turning down the loud person and turning up the quiet person.
- Intro/outro music is WAY TOO LOUD and the listener gets blasted with loud volume, causing them to “ride their volume knob” (see definition just above).
- One or more participants has nasty jarring plosives.
- One or more participants has nasty irritating sibilance.
- One or more participants has significantly loud background noise like air ducts, air conditioners, the road outside the window, family members in the next room, the computer fan, etc.
Did I miss any?
Have you ever turned off a podcast due to horrible sound? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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2023: The Year of Earning Lots of Money Producing Podcasts From Home!
Opportunities abound!
You can do this part-time on nights and weekends, or you can commit to going full-time with your own podcast production business, start onboarding clients and earn lots of money working from home as a professional podcast engineer/producer.
These days it’s a valuable and in-demand career path to produce podcasts professionally. You could work the rest of your life producing podcasts, working for yourself, making your own schedule, and enjoying the income and self-confidence you deserve. If you’re a professional.
May you start your New Year well. I wish you health, prosperity and long life đ
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Why the Massive Improvement in Audio Quality of Podcasters, YouTubers and Streamers From 2020-2022?
Remember in 2020 when lockdowns started and tons of people (including ultra-popular media figures) started Livestreaming, YouTubing and attending Zoom meetings from home? Do you also remember that ALL THAT AUDIO WAS HORRENDOUS SOUNDING?!?!
I do. Most of those folks just dove into creating content using their computer’s built-in microphone AND THEY THOUGHT THIS WOULD SOUND JUST FINE?!?!? Wow. It was brutal.
But over the 2+ years since lockdowns first began, it seems like everyone (thank God) has realized the importance of good audio, purchased a good microphone and now has good (or at least decent) sound.
There are MANY new streamers that I used to watch in 2020 who had awful audio quality, but over the past 2 years they have bought decent microphones and even have it close to their mouths! Yay!
FYI, I believe the microphone industry had its biggest boom ever during lockdowns and afterwards. Can anyone confirm this?
Did you also witness anyone starting with abysmal audio quality, and then realize it, and then improve massively? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Why Q1 Is the Perfect Time To Grow Your Podcast Production Business (Prepare Now!)
If you’re currently looking to onboard new podcast production clients, Q1 of 2023 is your next best opportunity to have massive growth in your business.
Why?
- Larger companies can access their 2023 budget money starting in January and this allows them to start new projects like podcasts in Q1.
- The New Year is when lots of people make decisions to start new projects, including starting a podcast. Usually they’ve been considering it for a while but the New Year provides the spark that finally lights their fire.
Jump into January with massive action and focus if you want to grow your production business!
Oh, and I have this course, of course đ HA —> Getting New Clients at Higher Rates
What do you think about January timeframe in this regard? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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DJI Mic (Dual Wireless Microphone/Recorder System)
Btw, this system is comparable to the RODE Wireless GO II system.
I just bought this system to bring with me on my Holiday travels to record my Mom. I had researched the DJI Mic and the RODE Wireless GO II and decided to purchase the DJI for various reasons.
The DJI Mic comes with:
- Two clip-on microphones which are both recorders as well as wireless transmitters. (It’ll be a pain-free experience for my Mom to just clip the very small microphone to her shirt and forget it’s there.)
- One receiver which can route both mics audio to a video camera, phone, livestream, audio recorder, etc.
- A super-handy charging case which houses and charges both transmitters and the receiver.
- The necessary cables
MORE INFO here: DJI Mic 2-Person Compact Digital Wireless Microphone System/Recorder for Camera & Smartphone (2.4 GHz)
What are your thoughts on this? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Hear for Yourself: One Sounds Good, the Other Horrible
Analyze and compare the sound of these two videos. (below)
This audio comparison demonstrates the importance of good audio resolution and encoding quality, as well as serving as a nice little ear-training exercise đ
*TO HEAR THE BIGGEST DIFFERENCES, LISTEN TO:
- The clarity of the high frequencies. (Especially the hi-hats, but guitars and vocals, too. The badly encoded version is very âswishy/smeared/blurryâ sounding in the high-mids and high frequencies. Terrible.)
- The general level of low frequencies (The good one has plenty of low end and a nice fullness, the bad one has much less low frequency level and therefore sounds very midrangy)
GOOD sounding Unforgiven II:
Encoded properly BAD sounding Unforgiven II:
Encoded badly What is your evaluation of this comparison? Comment below!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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How to Share Audio Plugin Settings With Others
Of course you can always save your own plugin settings for the purpose of using the same exact settings on your voice next week or next year. But it’s also possible to share these settings with others and vice versa.
For instance, I offer folks (for free) my starting preset for the Scheps Omni Channel plugin from Waves. I can send you an .xps file which you would load into your Scheps Omni Channel plugin and voilĂ . If you want me to send you that, send me a message.
It’s easy to export and import the specific settings of individual plugins:
- Many plugins allow you to export and import preset files from within the plugin itself. For instance, Waves plugins allow you to “Save” and “Load” (export and import) plugin settings in the form of .xps preset files.
- There also seems to be a more generic way to export/import VST/VST3 plugin preset files, which seems to be facilitated by the DAW youâre using: VST3 Preset file (.vstpreset), and VST patch/bank file (.fxp/.fxb).
I’m sure there are other ways and probably better ways. Do you know of any? Please share in the comments!
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”