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Author: Chris Curran
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Supercast

Supercast – kinda like Patreon but even more suitable for podcasters???
From their website:
Supercast makes podcast monetization simple: It’s the easiest way to turn your listeners into paid members and unlock sustainable, recurring revenue.
You can use Supercast to:
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- Share exclusive podcast content with your listeners
- Offer paying subscribers an ad-free feed
- Add a private podcast to your existing membership
- Deliver courses and professional development
- Sell access to your back catalogue
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Have you tried Supercast?
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Using a Zero-Latency Limiter to Boost Your Livestream Audio

If you’re livestreaming video and audio, your audio should be sent out to the stream at a nice loud level. If your mic’s level is too low, it may be difficult for viewers to hear you.
I recently tried using the Fabfilter Pro-L 2 to boost my outgoing livestream audio. Fabfilter’s support suggested this: “If you need minimum latency, choose the Transparent algorithm and also disable True Peak Limiting in the bottom bar.”
Then I tried using Fabfilter Pro-MB for the same purpose. And Fabfilter’s support suggested this: “Do you want to use zero-latency processing? Disable oversampling and lookahead in the bottom bar, and use either Dynamic Phase or Minimum Phase processing.”
Each of those 2 plugins seemed to create a tiny bit of latency, but I didn’t have time to verify that technically.
Ultimately I decided not to use any plugins to boost my outgoing audio level. I simply boosted the audio level in Audio Hijack, which nicely limits any peaks that go above zero 😉
And viewers remarked that that sounded better.
Do you have any ideas or tricks about livestream audio?
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Not Shortening Comedic Awkward Pauses

Sometimes, as part of telling a joke or being funny, a person will pause awkwardly for an uncomfortable amount of time.
Think twice before removing any of this silence because your edits could change the timing and effectiveness of the joke. It’s usually best to err on the side of NOT changing it at all, rather than chancing ruining the person’s comedic timing.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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How I Recently Handled a Panel of 4-5 People Recorded on a Single Track
For a client’s podcast episode, I recently received a mono file containing 4-5 people on stage as part pop a panel discussion. The levels for each participant in the raw recording varied GREATLY (see the waveform image here).
In the past I’ve processed lots of recordings like this. And it’s never easy to process these files so that each participant sounds good in the final episode.
In this particular case:
First I removed several loud thuds due to people unplugging mics, etc.
Then I evened out the levels of all the participants using various processors in this order:
- Compression
- Vocal Rider
- Multiband compression
- Compression
- Compression
How do you handle situations like this?
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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All Remote Podcast Hosts and Cohosts Should Record Their Own Raw Audio Locally

Instead of relying ONLY on web-based audio recording services like Squadcast, etc., each and every podcast hosts and cohosts should record their own raw audio locally.
It’s not difficult to do, and those local recordings will be better audio quality than any web-based recordings.
Note: It’s not an either/or decision — hosts and cohosts can easily record their own mic locally AS WELL AS record their mic using services like Squadcast, etc. Plus, it’s always great to have a backup recording 😉
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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When Guests Drastically Change Their Proximity to Their Mic Halfway Through an Episode

In a recent recording session with a guest who was using earbuds for her microphone, I had to stop the session halfway through to remind her to NOT let her earbuds flap around and make noise. Then, for the rest of the episode she held the earbud mic right up to her mouth (which I specifically instructed her NOT to do)!
This resulted in the second half of the episode being way louder and having a much different tone compared to the first half.
In post, to maintain the continuity of the sound for the listeners, I had to EQ match and level match the two vastly different sounding parts.
It took a while to dial it in to my satisfaction, but in the end the entire episode sounded good.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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VIDEO: Intro to Voice Meeter (PC Only), with Daniel Hager

In this video, Daniel Hager walks me through Voice Meeter, which is an audio mixer application for PC which mixes and manages any audio sources from or to any audio devices or applications, including custom virtual devices.
Btw, this video was originally streamed on my PES Twitch channel. If you’re on Twitch follow me there 😉
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Chris’s Goody Bag and Hooper’s Bloopers – PES 171
I overview recent Daily Goody‘s (from Jan.3 – Jan. 16). Here’s the link to view all those blog posts. And don’t forget that you can sign up to receive the Daily Goody in your email every day or once per week. Sign up here.
Also, at the very end, enjoy some David Hooper‘s bloopers!
Here are the Daily Goody posts that we discussed in this episode:
- Acoustic Panels for Your Walls
- Acustica Tan (Free Compressor Plugin)
- If a Guest Connects Over the Internet Using a Bad Quality Microphone…
- Turning Off Your HVAC System When Recording
- EQ’ing Intro Music
- The Types of Umms That You SHOULDN’T Remove
- Auphonic’s Dynamic Range Controls
- The Actual, Proper, Specifications for HTML Episode Notes in Your RSS Feed
- SoundID App by Sonarworks – Limited Early Access
- Should You Use a Gate Before or After a Compressor?
- Samson Q9U (New Microphone)
- O.C. White Podcast Pro Boom Arm (New)
- Aquamarine 4 from Acustica (High-End Mastering and Mixing Plugin Suite)
- Krisp (Noise Cancelling App)
What did you learn in this episode? Let me know by commenting below.
I appreciate you listening, and if you have any questions please let me know 🙂
If you know anyone who would like to learn more about the technical production of podcasts, please share this show with them.
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Testing Loudspeaker Isolation Products

This guy Ethan Winer did some serious testing on loudspeaker isolation products, which are those foam blocks/pads that isolate your monitors from the hard surface they’re sitting on.
Check out his post here.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Apogee HypeMiC, a USB Mic That Features a Studio-Quality Analog Compressor

Another mic I’d love to try but don’t know when or if I ever will…. Sigh…… But Bandrew probably will soon!
Highlights of the Apogee HypeMiC from their website:
- PureDIGITAL connection for pristine sound quality up to 24-bit/96kHz
- Premium cardioid condenser microphone capsule
- Studio-quality analog compressor
- Headphone output with Blend feature offers zero latency recording
- Premium accessories kit includes tripod, pop filter and carrying case
- No configuration required, just plug in and record with any audio app
- Compatible with iOS, Mac and PC
- Optimized for GarageBand, Logic, and Core Audio compatible apps on Mac
The price is around $349.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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What Does “Hot” Mean in Terms of Recording Level?

A listener recently asked me, “Hey Chris. Love the show. Just been listening to you talking with Jim Harold. Question. What does ‘hot’ mean in the context of recorded sound. Cheers.” ~Joff. UK.
My answer:
Usually “hot” is an adjective referring to the high/loud/strong level of audio, as opposed to a levels that are low or optimal. For instance, in practice, if you crank a microphone preamp too much and the level is peaking/clipping, you would say that the mic’s level is really hot, and then you would turn down the preamp in order to bring down the level to a more optimal level. Make sense?
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Hear a Past Guest on My Show Who Uses the Same Equipment as You

Don’t forget about the back catalogue!
I encourage you to look back at the shownotes of previous episodes of The Podcast Engineering Show to see what gear and software I discussed with each particular guest. I always list the main gear and software we discussed.
Find guests who use the same gear/software you do, and then listen to that episode to pick up details and tricks you can use.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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“Smart Podcast Player” is now “Fusebox Player”

Pat Flynn’s Smart Podcast Player has been popular for many years. I always wanted to use it but I was never convinced that having a better player embedded on my website would help grow my show and community, etc. Maybe I’m wrong.
Anyways, “Smart Podcast Player” is now “Fusebox Player” and it’s now a bigger product for podcasters.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Boosting Your Outgoing Audio Level for Livestreams

The level at which you record audio normally/locally is substantially lower than the audio level you should send to a livestream.
Recording myself locally for my Podcast Engineering Show, my raw tracks end up being around -25 LUFS.
But the audio level at which I should send my mic’s audio to the stream is around -17 to -19 LUFS.
So boosting up your mic level is important. BTW, some streaming apps and services can adjust your level for you 😉
I boost my level in Audio Hijack, so I can keep my mic and channel strip settings the same for local recording and streaming, so when I stream I jack up the level in Audio Hijack just before it goes out to the livestream.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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In-Breaths That Are Viciously Loud

In-breath sounds that are super-loud-and-harsh usually occur when a person is laughing really close to the mic. But overall they are kind of rare, so it’s not a widespread problem or anything.
Also, keep in mind that using compression on the whole track will make those vicious breaths even louder.
Therefor, it’s usually best to manually drop the level of these killer breaths to taste by 5-15 dB. But be sure not to drop a breaths level TOO much because that will sound strikingly unnatural.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Stephanie Lesher, Production Manager at WRLT Lightning 100 in Nashville – PES 170
My guest is Stephanie Lesher – Production Manager at WRLT Lightning 100 in Nashville. Among other shows, she produces Music Business Radio with host David Hooper!
We discussed a ton:
- Recording at the station in her office
- David Hooper and at least one guest in the room
- Avid Mbox interface with 4 XLR inputs
- RE20 mics with foam windscreens
- Pro Tools 10
- Recording resolution: 44.1kHz, 16 bit uncompressed files
- Each episode ends up bring 54 minutes consisting of four 13 min. segments
- Editing in Pro Tools
- X Noise plugin – removes background noise
- Renaissance Vox compressor from Waves (applying about 3dB of compression usually)
- De-esser (rarely)
- Parallel compressor – waves max volume
- Buss limiter in pro tools
- Adds music
- Puts into database of audio to play on the air
- Recording commercials using her voice
Thanks for being a great guest, Stephanie!
Comment below with any questions or comments.
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VIDEO: Guided Tour of All My Current Plugins
*Clipped from one of my Twitch streams here: https://www.twitch.tv/podcastengineer
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Producing and Scheduling Episodes Before Summer Vacation

In my experience it takes a couple months to plan, record, produce and schedule multiple podcast episodes that will publish while you’re away having fun on summer vacation.
And that also includes scheduling an episode to publish on your first week back from vacation. This way you don’t have to start scrambling the minute you return from Hawaii to record and publish an episode within a couple days, for instance.
There is a peace that will overtaketh you after you have 2-4 weeks worth of episodes done and scheduled to publish. Aaaaaahhhhh.
This advice also applies to your clients if you’re producing shows for others. In those cases, it’s up to you to manage your clients preparation before they go on vacation.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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Guest- FaceTime- iPhone Held to Face

I recently recorded a very high profile guest on her iPhone via FaceTime.
She did not have earbuds so she held the phone to her face for the whole interview.
Also, her phone was connected via a strong WiFi signal and there were no glitches in her VoIP audio. And she was in a quiet room. And she didn’t make any noise. There were zero plosives! All good.
However at times FaceTime would compress the audio extremely – like at the very beginning of some of her answers. She would come in loud, and FaceTime would crush the level down, and then it would slowly release over 5 seconds or more.
That’s a difficult/impossible thing to undo in post. I didn’t even try to undo it; I simply used compression on the entire track which helped bring up the level of those crushed parts. And there weren’t THAT many in the entire episode.
Overall her audio turned out pretty good, all things considered!
If you want to hear how the guest ended up sounding in the published episode, listen to it here.
*By the way, you can hear FaceTime’s compression pretty well at the very beginning of the guests answer to the first question. Severe compression starts immediately, then over 5-10 seconds as the compressor releases you’ll hear the level rise and the tone change.
Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.
And please keep in mind, the Daily Goody is only a tiny little tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer. “Little by little, a little becomes a lot.”
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