Author: Chris Curran

  • If Your Connection Fails and You Drop Off a Virtual Recording Session…

    My suggestions for when you rejoin the session:

    If other people are still talking, don’t come in and immediately say, ā€œOh wow can you hear me? I dropped off, etc etc etcā€ because the conversation may carrying on without you (I know, hard to believe). Better, when you rejoin the session, first listen to what’s going on before butting in because someone may be completing their answer to a question and you don’t want to unnecessarily interrupt them.

    Also FYI, with Squadcast I believe that if any participant drops off, the recording actually stops. Whoa. So, be careful to click record again before missing out on part (or the entire rest) of the conversation!

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • Chris’s Goody Bag – PES 160

    Chris’s Goody Bag – PES 160

    I overview recent Daily Goody‘s (from Oct. 11 – Oct. 23). Here’s the link to view all those blog posts. And don’t forget that you can sign up to receive the Daily Goody in your email every day or once per week. Sign up here.

    Here are the Daily Goody posts that we discussed in this episode:

    Announcement: The start date for the next PES will be January 14, 2020

    Did you learn anything from this episode? Let me know by commenting below.

    I appreciate you listening, and if you have any questions please let me know šŸ™‚

    If you know anyone who would like to learn more about the technical production of podcasts, please share this show with them.

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  • An Inexpensive Podcasting Equipment Setup to Sound Great

    Whether you’re a podcast host or guest, you’ll sound great on every podcast for the rest of your life with these 4 items:

    (*These are NOT affiliate links, and I’m not selling this gear, only recommending)

    1. Microphone – here are three USB/XLR mic’s between $70-$100, *for each be sure to check that the USB connector type will work for your computer:
    2. Microphone Stand ($39): Gator Frameworks Short Weighted Base Microphone Stand
    3. Foam Windscreen ($4): On-Stage Foam Ball-Type Microphone Windscreen, Black
    4. Mic clip ($10): On-Stage MY320 Shock-Mount Dynamic Microphone Clip

    If you want to read a few best practices for recording podcast audio, check out this recent post.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • True Iron (Plugin from Kazrog)

    My Disclaimer: True Iron is not a must-have plugin for podcast production. I bought this plugin and I like it, but I don’t use it very often. I need to spend more dedicated time playing around with it.

    From the product webpage:

    True Iron – the true sound of transformers. Add warmth and heft to your tracks and masters.

    It accurately emulates 6 classic line transformers, known for their use in many of the biggest names in vintage analog outboard sound processing. Models are based on the UTC 108 X, the Malotki E4M – 4001B, the Western Electric 111C, the Haufe V178, the Marinair LO1166/A , and the UTC O-12.

    These transformers add weight, heft, and girth to your mixes and masters. The plugin features adjustable strength, input impedance, wet/dry ratio, and a special ā€œCrushā€ control to add fat transformer saturation to tracks and buses. Plus, the CPU usage of the plugin is low enough that you can add it to every track or bus in a mix for added virtual analog warmth across your entire mix.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • My Desperate Plea to Podcast Guests:

    If You’d Prefer to NOT Sound Terrible Every Time You’re a Remote Guest on a Podcast, Please Invest ~$150 in the Right Gear so You Can Sound Good for the Rest of Your Life!

    Wouldn’t it be great for listeners to hear your voice on a podcast and think, ā€œWow, he/she sounds really good.ā€

    Well, if you think you can just wing it and sound OK by jumping on a podcast using crappy earbuds on a crappy computer connecting through crappy slow WiFi while laying on your couch with all kinds of noise in the background, you can’t.

    When you invest in some good equipment for yourself you’ll be perceived as the professional you really are, instead of sounding terrible and being perceived as less. Science actually backs this up; a recent scientific study found that audio quality influences whether people believe what they hear — and whether they trust the source of information.

    You’ll sound great on every podcast for the rest of your life with these 4 items costing around $150 total:

    (And FYI these are NOT affiliate links, and I’m not selling this gear, only recommending)

    1. Microphone ($70-100) — Here are 3 inexpensive dynamic USB microphones to choose from:
    2. Microphone Stand ($39): Gator Frameworks Short Weighted Base Microphone Stand
    3. Foam Windscreen ($4): On-Stage Foam Ball-Type Microphone Windscreen, Black
    4. Mic clip ($10): On-Stage MY320 Shock-Mount Dynamic Microphone Clip

    A few other important best practices:

    • You must wear earbuds or headphones when your microphone is being recorded. Always.
    • You should consistently speak into the microphone with your mouth always being about 1-3ā€ away from the mic when you’re speaking. The closer the better, but please make sure you don’t breathe heavily right into the microphone when you’re NOT speaking šŸ˜‰
    • Restart your computer before the recording session
    • Make sure your WiFi signal is strong (or connect via ethernet cable)
    • Minimize all background noise like fans and air conditioners, and don’t make any distracting noises like moving things around your desk, clicking a pen, or tapping your foot, etc. — be quiet, except for talking šŸ˜‰

    And now, speaking for all podcast listeners, producers, editors, and hosts:

    THANK YOU SO MUCH for sounding your best and providing a good listening experience for all of us so we can keep listening and keep enjoying you!!!

    If you have any questions contact me.

    Sound good, feel good, do good.

  • REW – Room EQ Wizard Room Acoustics Software

    I haven’t used this REW software but I currently use Sonarworks which is similar.

    These software measure the EQ curves and reflections (and more) of your room and then construct an EQ curve to eliminate the negative effect of your room on what you’re hearing out of your monitors.

    Very handy for small mostly-un-treated control rooms.

    In fact, when I turn of my Sonarworks my monitors sound markedly different and weird, frankly šŸ˜‰

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • Regarding Quality Microphones for Use With iPad

    From two graduates of Podcast Engineering School:

    Bob Bergey: Any USB mic should work. I use a Samson Q2U with either my iPhone or iPad, plugged in via a USB/Camera adapter. Works great!

    Bryan Entzminger: What Bob Bergey said. I picked up a Shure MV88 for use on the go with my iPhone but the ATR2100 / Q2U / AT2005 USB mics will work fine with the lightning to usb camera adapter. Just make sure the camera kit is the real kit from Apple. Some of the off-brand ones have been reported to have created issues. If he needs 2 mics, the ART Dual Pre interface with the lightning adapter will work to get XLR mics up and running. I haven’t tested against any of the iOS-specific interfaces out there but it’s a solid interface and built like a tank.

    Bob Bergey: You probably already know this, but the Pro iPads require a USB-C adapter, not Lightning. I have one of each to give me the option of recording on either device. (Can’t wait for the iPhone to switch to the same USB-C connector so I don’t have to juggle so many adapters!)

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • The Speed of Sound

    From Wikipedia:

    The speed of sound is the distance travelled per unit time by a sound wave as it propagates through an elastic medium. At 20 °C (68 °F), the speed of sound in air is about 343 metres per second (1,235 km/h; 1,125 ft/s; 767 mph; 667 kn), or a kilometre in 2.9 s or a mile in 4.7 s. It depends strongly on temperature, but also varies by several metres per second, depending on which gases exist in the medium through which a soundwave is propagating.

    The speed of sound in anĀ ideal gasĀ depends only on its temperature and composition. The speed has a weak dependence on frequency and pressure in ordinary air, deviating slightly from ideal behavior.

    In common everyday speech,Ā speed of soundĀ refers to the speed of sound waves inĀ air. However, the speed of sound varies from substance to substance: sound travels most slowly inĀ gases; it travels faster inĀ liquids; and faster still inĀ solids. For example, (as noted above), sound travels atĀ 343 m/sĀ in air; it travels atĀ 1,481 m/sĀ inĀ waterĀ (almost 4.3 times as fast as in air); and atĀ 5,120 m/sĀ in iron (almost 15 times as fast as in air). In an exceptionally stiff material such as diamond, sound travels at 12,000 metres per second (39,000Ā ft/s)[1]—about 35 times as fast as in air—which is around the maximum speed that sound will travel under normal conditions.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • Podfest Multimedia Expo 2020 – Are You Going?

    Podfest in Orlando Florida is a wonderful annual conference for grass roots podcasters. Some big brands will also have a presence there but the vibe always feels totally like family.

    The dates are March 6-8, 2020.

    I’ll be there to speak and have a booth for PES.

    Are you going? If so, let’s meet up and hang out. Maybe on the pre-day at the Podcast Editors Conference?!?!

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

    .

  • My Experience With Starting to Create Short Videos

    Producing videos is a different animal than producing audio only, and my lack of video production skills came to the fore when creating the 5 videos I created over the past month.

    For all 5 videos I recorded myself and sometimes my screen using Ecamm Live Beta. I like this app very much.Ā For post-production I used ScreenFlow to edit the video and add text, transitions, etc. I like this app, too.

    By design I kept the videos short to give me time to practice with shorter videos before I try anything longer than 15 minutes, let’s say.

    All in all, it’s been a good experience and I plan on continuing to make weekly videos.

    See all 5 videos here.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • 8-Mic Shootout With David Hooper – PES 159

    8-Mic Shootout With David Hooper – PES 159

    My returning guest is David Hooper – host of Build a Big Podcast, author of Big Podcast, and a media marketing expert specializing in getting people’s message out via podcasting, building audiences, and more.

    David recorded 8 different clips using 8 different microphones, and in this episode him and I listen to each one, give our thoughts on the sound, and at the end David reveals which clips were recorded with which microphones!

    Play along by doing this: BEFORE you listen to the episode and hear our opinions, go to the very end of the episode and listen to all the clips yourself and make notes of your opinions of each clip. Then listen to the episode and hear our opinions, which you can then compare to your own.

    Personally, I grouped the clips into 4 tiers. Tiers 1 is the best sounding, tier 2 is the next best, tier 3 is OK, and tier 4 kinda OK sounding.

    1st Tier:

    • Clip 8

    2nd Tier:

    • Clip 1
    • Clip 2

    3rd Tier:

    • Clip 3
    • Clip 7

    4th Tier:

    • Clip 4
    • Clip 5
    • Clip 6

    Near the end David reveals which clips were recorded with which mic’s!

    Thanks for being a great guest, David!

    Comment below with any questions or comments.

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  • Approximating LUFS Level by Eyeballing a Meter

    Beware of approximating the LUFS level of your episodes by eyeballing a meter because your levels from episode to episode could vary greatly.

    For more precision when setting the LUFS level of your episodes use tools like Auphonic, iZotope RX7 Loudness module, Adobe Audition’s Match Loudness feature, etc.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • Mid-Word Edit Points

    Whenever you need to make an edit cut in the middle of a word, it’s easiest to cut on hard consonants – t’s, k’s, p’s, etc.

    For instance if someone mispronounces a word and then re-states it and keeps talking, but the first part of the correctly pronounced repeated word has an unnatural inflection to it. In this case it would be helpful to edit mid-word.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • My 5 Videos from the Podcasters’ 5 Week Video Challenge (2019 Nov.)

    This was a fun challenge.

    Over the past 6 months I have been MEANING to create some videos to promote my podcast, but I never got started. So I concocted this fun challenge to kick myself in the butt, and around 15 others jumped on board as well.

    Below are my 5 videos. They are all very short. They may not be great, but the point of the challenge was just to get 5 videos done and improve a whole lot along the way. Enjoy!

    Video 1: Your Podcast Production ā€œDaily Goodyā€ – A Tip, Fact or Lesson Everyday

    The Daily Goody is a short daily blog post I write to help you learn about professional podcast audio production.Ā Sign Up to receive your Daily Goody email (daily or a weekly roundup), and/or read all the Daily Goody’s here on the website.

    Video 2: Why Listen to The Podcast Engineering Show (To Learn Podcast Audio Production!)

    Listen and Subscribe inĀ Apple Podcasts,Ā Spotify,Ā Pandora,Ā Google Podcasts,Ā TuneIn,Ā iHeartRadio,Ā Stitcher,Ā Android,Ā RSS.

    Video 3: The Purpose of Producing Good Sounding Audio and Why It’s Very Important

    The purpose of good audio production: To provide the listener with a pleasant, transparent listening experience, in terms of audio quality and audio presentation.Ā NOTE: In this video we are talking ONLY about audio quality; the actual content of a podcast episode is a completely different topic.

    Video 4: Overview of Scheps Omni Channel, a Channel Strip Plugin from Waves

    Note: This is an overview, not a full tutorial.Ā Fyi, you’ll find more information on the plugin as well as a couple in-depth videos made by the plugin creator himself, Andrew Scheps, here.

    Video 5: My Podcasting Post-Production Workflow (Ultra-Brief Overview)

    My ultra-brief workflow overview:

    1. Cleanup (iZotope RX7)
    2. Mixing (Reaper)
    3. Detailed Editing (TwistedWave)
    4. Mastering (iZotope RX7, as well as processing on the vocal subgroup in Reaper)
    5. Tagging (ID3 Editor, Fission)

    I also use Fabfilter plugins and Waves plugins.

    And, as always, if you have any questions about podcast production, ask me! ~Chris

    And if you’d like to see what training is included in the full PES course, find it here.

  • Mixing Tip: Reducing the Volume of Person A’s Loud Laughing While Person B Is Still Speaking

    Sometimes a person’s loud laughing can be really annoying/disruptive when someone else in the episode is still speaking. Frequently the result is that you can’t even hear/understand the person who is speaking.

    In post-production you can remedy this issue by reducing the volume of the loud laughing anywhere from 3-10 dB, or whatever sounds best. The resulting audio will be much better because you’ll still hear the person laughing and simultaneously you’ll be able to understand the words of the person speaking.

    Booyah.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

    .

  • Beware of Guests Connecting From a Slow, Bloated and Outdated Office Computer

    If a guest is connecting from their large business/practice office computer which is extremely slow and bloated and outdated – beware! The probability that the recording will be negatively affected due to computer problems is much higher than average, and personally I NEVER feel comfortable in those situations.

    I recently asked a guest to restart their computer after finding out he didn’t even remember the last time he restarted that company computer – but the ā€œfunnyā€ thing is that it took literally 20 minutes for his computer to restart and load the bloatware, etc.!!! That was an awkward 20 minutes.

    And sometimes this situation is degraded further when the guest is using a bad table-top conference call microphone.

    Sigh.

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

    .

  • When a Podcast Host Is a Guest on Other Shows…

    When a podcast host is a guest on other shows does that mean he/she will sound good when connecting to record?

    No, not always. Because some hosts when they are being interviewed on another show will not even use their regular microphone; they will connect using their earbuds or via their phone, etc. Now, if they’re on the road and don’t have access to their normal equipment setup, this makes sense, but I’ve been shocked many times when podcast hosts show up as a guest and just want to, for instance, lay on the couch and talk into their earbuds while being interviewed, etc. It’s very disappointing. I think they just want to feel like a rockstar, like they are ā€œthe talentā€ that has to be catered to, and don’t want to put in the little effort it takes to use their usual podcasting setup when appearing as a guest.

    I, for one, ALWAYS use my regular setup when guesting on other shows, and of course I record myself locally at 24 bit 48 kHz, too!!! YEAH OH YEAH

    What has been your experience interviewing other podcast hosts, or being a guest on other shows?

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

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  • Black Friday Ridiculousness: $700 OFF Podcast Engineering School (Class Starts January 2020)

    Well, everyone else is offering good deals so I thought I would TOP THEM ALL!

    Use coupon code BF700 to get $700 OFF the January semester of Podcast Engineering School.

    If you were on the fence about PES and this helps you afford enrollment, that would make me happy šŸ™‚

    #SoundGreat

    Want to receive the Daily Goody in your email, daily or weekly? Subscribe free here.

    And please keep in mind, the Daily Goody is only a tiny littleĀ tip, fact or lesson everyday. Please don’t expect any of these posts to be long, earth-shattering masterpieces that instantly answer every single question you can think of and completely transform you into a world class podcast engineer.Ā “Little by little, a little becomes a lot.”

    .

  • Chris’s Goody Bag – PES 158

    Chris’s Goody Bag – PES 158

    I overview recent Daily Goody‘s (from Sep. 27 – Oct. 9). Here’s the link to view all those blog posts. And don’t forget that you can sign up to receive the Daily Goody in your email every day or once per week. Sign up here.

    Here are the Daily Goody posts that we discussed in this episode:

    Announcement: The start date for the next PES will be January 14, 2020

    Did you learn anything from this episode? Let me know by commenting below.

    I appreciate you listening, and if you have any questions please let me know šŸ™‚

    If you know anyone who would like to learn more about the technical production of podcasts, please share this show with them.

    Punarmilāma!

    .

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