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Author: Chris Curran
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Niel Guilarte – PES 086
My guest is Niel Guilarte, founder of Wildstyle Media working on high-end video production, film, podcast production, and audio for gaming. He is also the Director & Editor of The Messengers: A Podcast Documentary!
We discussed a lot, including:
- Rode Procaster microphone
- Focusrite Clarett 8 Pre audio interface
- Logic Pro X software
- Waves plugins
- iZotope RX
- Focusrite plugins
- Softube
- Machina – plugins
- Behringer X-touch controller
- Producing episodes for The Horse Radio Network
- Tascam portable recorder – DR-701-B w/ SMPTE timecode,
- Final Cut Pro for video editing
- Motion 5 for graphics
- After FX
Thanks for such a fun conversation, Niel!
Comment below with any questions or comments.
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Tim Cumings – PES 085
My guest is Tim Cumings – Producer of the Cooking in the Dark podcast!
We discussed:
- GoldWave
- Ferrite noise suppressor
- Presonus Audiobox iTwo audio interface into a PC
- Sennheiser HD202 headphones
- Audio-Technica BPHS1 broadcast headset
- CAD GXL-3000 condenser microphone
- Plantronics audio 995 USB multimedia headset with noise cancelling microphone
- Mackie 802 vlz3 mixer
- PLEXTALK Pocket- Portable Daisy-MP3 Player and Voice Recorder
- Triton Audio Fethead Microphone Preamp
- VOX Pop Stop Microphone Filter
- RODE PSA1 Swivel Mount Studio Microphone Boom Arm
- Studio: Spare room / computer/guest room
- Auphonic
Thanks for hanging out with me, Tim!
Comment below with any questions or comments.
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Brandon Gonzales – PES 084
My guest is Brandon Gonzales – host of Podcasting on a Plane. He’s also an Air Traffic Controller!
A portion of what we discussed:

- Kaotica Eyeball
- Apogee MiC – $200 small diaphragm condenser
- iRig Pre-HD
- Side tone
- CAD E100s mic for home studio use
- Apple Mac Mini
- Zoom H6 to record as well as using it as a USB audio interface
- Logic Pro (Brandon recently “upgraded” from Garageband)
- AKG K702 Headphones
- Blue Everblue Bluebox – in ear monitor
- The Auphonic Mobile App. Brandon said, “It Records 24/48 WAV, -16 LUFS, and your file goes straight to Auphonic server from your phone for processing if you wish. Georg is a damn genius!”
- ATR-2100 mic
And on the right is the picture of the Kaotica Eyeball hanging in Brandon’s car! (as we discussed)
Thanks for being a great guest, Brandon!
Comment below with any questions or comments.
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Sam Matla – PES 083
My guest is Sam Matla – host of The EDM Prodcast and Electronic Music Producer at EDMProd.
Here’s a portion of what we discussed:
- Ableton Live
- Audio-Technica ATH-M50 Headphones
- Blue Bluebird – Large Diaphragm Cardioid Condenser Microphone
- CAD pop filter
- Focusrite 2i2
- iZotope Ozone for mastering
- Volume automation if there’s louder or softer parts
- Podtrac for analytics
- Zencastr
- Macbook pro 2015
- Compression
- EQ
- Saved chain for Sam’s track
- Music tracks and transitions
- Splitting tracks for different topics for shownotes times
- Mix to MP3 128kbps
- Soundcloud – that’s where his community is/was. That’s changing now; they’re mostly on Spotify now 😉
NOTE: Here are the three exceptional albums Sam mentioned when I asked him what his favorite music was:
- BT – This Binary Universe
- Koan Sound & Asa – Sanctuary EP
- Mat Zo – Damage Control
Thanks for sharing so much, Sam!
Comment below with any questions or comments.
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The Return of Arik Levy – PES 082
My returning guest is Arik Levy – Law Enforcement Officer, Producer and Host of Firearms Nation Podcast, Creator of Shooter’s Summit and the Firearms Nation YouTube channel.
Since his last appearance on the show, Arik has upgraded his production gear and workflow significantly. I was happy to chat with him about all the gory details.
A small portion of what we discussed:
- Rode Broadcaster
- Using his dbx 286s again
- Sound Devices MixPre6
- Switching from Logic Pro X to Adobe Audition
- The difference that replacing an XLR cable can make…
- iZotope plugins: Nectar 2 (Arik uses the gate), Neutron, Ozone, RX 6
- Zencastr
- Using video and Skype for his Shooter’s Summit
Thanks for hanging with us again, Arik!
Comment below with any questions or comments.
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Noah Chelliah – PES 081
My guest is Noah Chelliah – host of The Ask Noah Show, and President at Altispeed.
From his studio he sends his show audio to the FM station from which it’s broadcast. He also records locally and publishes the podcast version later. When he’s on the road, he hosts his show remotely by sending uncompressed audio back to his studio which then is sent to the FM station. Also fyi, he built his broadcast studio with 100% Linux.
Some of what we discussed:
- Axia Broadcast Console – preamp and processing
- YellowTec M!ka Arm
- Telos HX Telephone Hybrid
- Tieline Via Remote IP Codec (for on location)
- Lexicon Alpha Interface
- Marantz PMD580 AES3 Recorder
- OBS software
- RE20
- PR40
- Sony 7506 headphones
Thanks for so many insights, Noah!
Comment below with any questions or comments.
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Simon Barber – PES 080
My guest is Simon Barber – cohost and producer of Sodajerker on Songwriting, as well as musician, songwriter, academic and researcher.
We discussed:
- Recording interviews on location, as well as the necessary post-production
- Apogee Duet audio interface
- ESI Record M.
- Multitrack Auphonic
- Amadeus Pro
- Audio Hijack
- Rode NT USB microphone (cardioid condenser w/ pop shield)
- Zoom H6
- Shure SM 58’s
- iZotope RX 6
- Shure SM 57 with the A81WS windshield (as mentioned in our previous session with Allan Tépper)
Thanks for sharing so much great information, Simon!
Comment below with any questions or comments.
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Chris Updates, 2017 Reflections and 2018 Plans – PES 079
Note: This is not a standard TPES episode – this is me sharing lots of thoughts and ideas.
Here’s what I covered:
End of year purchases
- iMac Pro
- MixPre6
- Pistol grip for my AT8035 shotgun mic
- Ralph M. Rivera purchased Bose QuietComfort 35 II headphones – bluetooth sounds great – very comfortable and light – can use them to talk on the phone too – $350
Configuration of the iMac Pro
- 3.0GHz 10-core Intel Xeon W processor, Turbo Boost up to 4.5GHz
- 64GB 2666MHz DDR4 ECC memory
- 2TB SSD
- Radeon Pro Vega 56 with 8GB of HBM2 memory
My plans for the iMacPro
- Have one production space instead of a recording table and a mixing desk.
- Live streaming with video and several participants.
- Green screen.
- Webinars and screen captures.
- Move all plugins from current production computer to the new one.
- Sennheiser MKH416 would be nice.
2017 Reflections
- First 2 semesters of PES went extremely well.
- PM17 was good but working a booth made it a blur.
- As always, some clients came and went.
2018 Plans
- Podcast Movement – not sure if I’ll be doing the Microphone Test-Drive Booth again.
- Four Podcast Engineering School semesters starting Jan.9, Apr. 3, Jun. 26 and Sep. 18
- Podfudge!
My upcoming PechaKucha talk at Podfest
- Title: EQ – What You Need to Know about Equalization
- Description: Learn the fundamentals of why, what and how to use EQ. Hear examples of good and bad audio.
- Audio examples: Too much low end, too much high end harshness, harsh esses, phone sound, road noise with uncompressed voice getting lost in it at times, too much reverb, huge dynamic range raw and then compressed
How I processed Hardcore History episodes for my road trip
- Why? Prius is a light car with more than average road noise.
- Batching in RX 6 and Sound Forge Pro
- Saved to mono first (to half the processing time for all subsequent steps), then leveling and loudness. – created awful sounding MP3’s.
- Should have done everything in RX 6 first, exported as a WAV, then opened in Sound Forge Pro and saved as a mono MP3.
Podcasters’ Society: A truly awesome community
Experience with the Pause Your Life podcast
- Producer always worked in mono only and converted all music to mono.
- Suggestion: You should always leave stereo music stereo because it doesn’t hurt anything and you can always render to mono.
- Fixing a harshly EQ’d voice – Fabfilter MB multiband compressor in the 3-10k range
Thanks for listening!
Comment below with any questions or comments.
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The Personal Aspects of Production and Productivity, with Dave Jackson – PES 078
This is the first ever mostly non-technical session of this show because we cover many important topics for podcasters and podcast producers including productivity, time management, experimenting with new gear, as well as business aspects.
My returning guest is Dave Jackson, podcast coach, owner of School of Podcasting, and host of many shows including Podcast Rodeo Show. Also, here’s the link to Dave’s first appearance (session #11) where we discuss his equipment and workflow, etc.
Some of what we discussed:
- What time of day/night we get the most work done
- Multitasking while working on audio
- Getting work done vs experimenting with new gear/stuff
- Family considerations
- Working ON your business vs producing the actual audio
- The latest you’ve ever stayed up producing an episode
- What do you drink during recordings?
- Organizing folders, backups, Dropbox, Backblaze, restarting your machine
- Line levelers and surge protectors
- Dave’s video setup
- Update on my Mac research and plans…
Thanks for so many insights, Dave!
Comment below with any questions or comments.
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Bandrew Scott – PES 077
*This session was mixed and edited by PES graduate Christopher Whittaker! Great job Christopher!
My guest is Bandrew Scott – creator of Podcastage, a YouTube channel that provides gear reviews and tests to help you improve your podcast and YouTube audio/video. He also hosts The Bandrew Says Podcast.
This was a fun session; enjoy listening; we discussed:
- Arturia AudioFuse
- Mac mini
- Logic Pro X
- Final Cut Pro
- Zoom LiveTrak L-12
- Waves plugins
- iZotope RX 6
- Shure SM7B
- Mogami cables
- Cloudlifter CL-1
- dbx 286s
And check out Bandrew’s “tiny mic” video which we discussed in this session:
Thanks for being a great guest, Bandrew!
Comment below with any questions or comments.
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Danny Ozment – PES 076
My guest is Danny Ozment – audio engineer, editor, mixing and mastering engineer, podcaster and podcast producer. He is the owner of Emerald City Productions and the host of Recording A Capella.
Danny produces lots of podcasts and music projects. He and I went deep into lots of gear, software and workflow. Enjoy listening!
Hardware we discussed:
- Millennia TD-1 preamp
- UA Apollo interfaces (Twin and 16)
- PhantomFocus System monitors (with two 12″ subwoofers)
- Macbook Pro
- Shure SM7B
Software we discussed:
- Pro Tools
- iZotope RX 6
- HOFA-Plugins
- Fabfilter de-esser
- Pro Tools stock plugins
- Waves de-esser
- Wave Arts “Trackplug”
Danny’s mastering chain:
- Slate buss compressor
- Slate tape emulation
- Ozone multiband dynamics
- Waves L1 limiter
Other topics:
- Using two compressors in series and what setting to use on each
- Landr mastering website
- GIK Acoustics
Thank you Danny for so much valuable knowledge and information!
Comment below with any questions or comments.
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Have Another Slice of Audio.Pizza Baked by Garth Humphreys – PES 075
My returning guest is Garth Humphreys, host and producer of Audio Pizza, Aussie Mac Zone and iBlindTech.
Garth and I go deep and get technical – and of course we make it practical and relevant to your podcast production, too 😉
Before Garth and I got rolling, I first explained how I recently rescued some bad sounding audio using various steps: Putting it through Auphonic first (noise reduction, low end filter, leveler), then processing the resulting Flac file in iZotope RX 6 (phase, de-reverb, and de-click), then more processing in Reaper including EQ’ing and de-essing.
Then we discussed:
- Garth’s new Yamaha HS7 6.5″ Powered Studio Monitors
- Compression: Going through all the parameters, what they mean and how they work.
- LUFS: Understanding how it’s calculated and what it’s measuring.
- FLAC file format: Benefits of using it for recording and archiving.
- Phase trick: A cool way to hear what a plugin is actually doing to your audio. It also works for checking impact of MP3 encoding.
Then I told the entire story of my recent purchase of the Rode Broadcaster microphone, and why I returned it quickly. (Note: It’s NOT because it’s a bad mic)
I also talked about the two Fabfilter plugins I bought recently: The Pro-DS (de-esser) and the Pro-MB (multiband compressor).
Thanks for hanging out with me again Garth and sharing so many tasty slices of audio pizza!
Comment below with any questions or comments.
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Allan Tépper – PES 074
My guest is Allan Tépper – Pro Audio/Video Specialist, Tech Journalist, Broadcaster, author and consultant.
We discussed:
- Audient iD14 audio interface
- Shure 545SD-LC Cardioid Dynamic microphone
- Shure A81WS Gray Large Foam Windscreen for SM81 and SM57
- Pyle-Pro PDMIC78 microphone
- Hindenburg Journalist Pro, and how it levels each clip automatically
- IK Multimedia iRig Pre HD
- Auphonic mobile app to record 48kHz .WAV files
- Zoom H5 for field recording
- Skype recorders
- MixPre-3 with perhaps the cleanest mic preamps
- Rode Broadcaster
Thanks for being a great guest, Allan!
Comment below with any questions or comments.
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Mike Russell – PES 073
My guest is Mike Russell, Founder and Creative Director at Music Radio Creative where he produces podcast intros, radio jingles, commercials and more. He also hosts the Music Radio Creative podcast – audio episodes since 2012, and now also streaming Live daily to various platforms including YouTube and Facebook.
*Most importantly, check out Mike’s YouTube channel for tons of instructional videos.
A fraction of what we discussed:
- Microphones: TLM 103, AT 4033, Heil PR40
- dbx 286s channel strip
- Soundcraft Signiture 12 MTK mixer
- iMac 27″ (late 2015)
- Adobe Audition, including the remix tool, waveform view, spectral frequency display, spot healing tool
- Plugins: MeldaProduction MFreeFXBundle and Ring Modulator, Waves Meta Flanger and Tune Light
- iZotope Neutron and Vocal Synth
- OBS Studio
Thanks for sharing so much helpful information, Mike!
Comment below with any questions or comments.
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Corey Coates – PES 072
My guest is Corey Coates – podcast producer, consultant, and Chief Expectations Manager at Podfly.
Corey has a ton of experience producing podcasts as well as internet radio, and on top of that he’s consulting with huge companies on their podcasting plans and strategies.
Here’s a partial list of what we discussed:
- In-the-box recording on a Mac
- Steinberg UR44 audio interface
- Rogue Amoeba’s Audio Hijack, Loopback and Nicecast software
- Sound Devices MixPre-6
- Shure SM7B microphone
- Shure Beta 87A microphone
- dbx 286s channel strip
- Adobe Audition
Thanks for hanging out with us, Corey!
Comment below with any questions or comments.
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Mike DelGaudio – PES 071
My guest is Mike DelGaudio – voice actor, narrator for The NY Times, Atlas Obscura and Audible, and an absolute YouTube rockstar! Check out his Booth Junkie channel on YouTube.
We go deep into:
- Voiceover recording
- Whisper Room booths
- Sennheiser MKH 416 mic
- Neumann TLM 103 mic
- CAD E100S mic
- Roles headphone amp
- Audient iD22 audio interface
- Recording into Reaper on a Mac
- Sennheiser HD 380 Pro headphones
- Shure E215 in-ear monitors
- Apogee Duet interface
- Waves X-click plugin
Thanks for sharing soooo much knowledge, Mike!
Comment below with any questions or comments.
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What Makes PES More Valuable (and More Expensive) Than Other Online Courses?
Question:
This is a whopper of a price tag. What makes the contents of the course worth more than a few months of similarly themed Udemy or Lynda courses?
And full disclosure: I want you to sway me Chris. As a producer in this space I always looking for people who know more than I do so that I can learn from them and be better.
Answer:
OK, first off, regarding “swaying you,” that’s not possible. All I’m able to do is answer questions and convey details.
PES is different than any other podcasting course available. It’s not for podcasters; it’s for individuals who want to become a professional and earn really good money engineering/producing podcasts. Some people look at PES and automatically believe that it’s just another course about how to plug in a mic and publish to iTunes, etc…..another John Lee Dumas course or Cliff Ravenscraft A-to-Z course or Shawn Smith course or whoever else.
I have built a podcast production business engineering/producing shows for mid/large companies who want to work with professionals – not someone who learned a few things by watching some YouTube videos. These companies want to pay good money to a professional.
Now, most individuals who are producing/editing podcasts, or want to, don’t have enough confidence/guts to charge something like $750 per episode instead of $75 per. What you charge depends on the value you deliver, and a big part of the value for mid/large companies is having a dependable professional on their team who can handle any audio situation professionally.
Bulletproof confidence is essential – that you absolutely know what you’re doing, you know the fundamentals, you have the right tools, equipment, software, you know how to communicate with guests and clients, you know how to communicate your value, and you have access to an accomplished mentor and a community to step in and help at any moment.
PES delivers all these things, including 1-on-1 mentoring from me, ridiculous academic discounts on amazing software, a vibrant community of 20+ (and growing) alumni all helping each other, unlimited Q&A, a course project, and 7 in-depth lectures on audio fundamentals, hardware, studio configurations, software & plugins, recording, connecting and recording guests, listening exercises, mixing, editing, mastering, publishing, the business aspect, and more, all in great detail.
Another unique value: As the instructor I am combining my audio experience from the music business with tons of advanced podcast production experience and boiling it all down – I’m able to teach students what they need to know to immediately avoid many pitfalls and problems, and of course allow them to immediately perform tasks at a professional level.
Can you get all that from a Udemy course, or 5?
You see, students don’t know what they don’t know. So how could they possibly go out and find all the training they need to handle all possible situations at a professional level? Ralph M. Rivera and I had a wonderful discussion about this on this session of The Podcast Engineering Show.
It’s been quite an interesting experience helping so many individuals become audio professionals and grow their careers, or just earn good money on the side part-time. As the podcast industry grows I feel PES will serve an increasing important role. It’s my vision for companies to seek out graduates of PES in the future, once they know the quality of the graduates. I’ve already had several production companies ask for introductions to PES graduates.
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Paul Isaacs – PES 070
My guest is Paul Isaacs, Director of Product Management and Design at Sound Devices. We discussed the MixPre-6 in lots of detail, and also covered a lot of other audio topics.
In the right circumstances, the MixPre-6 could be a really valuable piece of gear for podcasters. It’s a high quality recorder, interface and mixer. The microphone preamps are super-high quality.
I was able to try the unit courtesy of Sound Devices, but you won’t hear that
episodesession for a couple weeks.Thank you for being so helpful, Paul!
Comment below with any questions or comments.
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Rob Rogers and Anton Helman – PES 069
My guests are Rob Rogers and Anton Helman – both emergency room medical doctors!! As well as serious podcasters 😉
Rob Rogers is also a medical educator, and his podcast is called Medutopia. Oh, and the amazing event he’s organizing next year is called Ikigai Med Ed (I’ll be there!).
Anton Helman is also a medical educator, and his podcast is called Emergency Medicine Cases.
I met these wonderful gentlemen in Lexington earlier this year when they asked me to speak at their podcast training conference.
Here’s some of what we discussed:
- Microphones: PR22, Sennheiser Clip Mic Digital, SM7B, AT2020, RE20, PR40, AT2005, H390 Logitech Headset
- Recorders: MixPre-6, Zoom F8, iPhone 6
- Software: Sound Studio, Logic Pro X, Garage Band, Auphonic
- Other: Room treatment, EQ, compression, Logic Pro library of clips and music, noise reduction, Spreaker
Thank you for sharing so much, Rob and Anton!



